Rembrandt Bible Atar Hadari 9781909357143 Books
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Rembrandt Bible Atar Hadari 9781909357143 Books
What fascinates me about this collection is that you intentionally may be judgmental about what to aspect. Religious poetry and specific references to Judaism would potentially make this collection typecast for a very selective audience. Some basic understanding of religion helps to have a deeper meaning of the subjects and references made by the author. However what comes to light is the use of language and structured flow of the poems, which is universal for any reader to appreciate. There is a blend of strong narrative story telling that resembles parables, which is sometimes humorously entwined with a modern day background. Almost reminiscent of your favorite history teacher who makes an unwanted subject sound interesting. The sporadic selection of more deeper and sorrowful poems, help to bring a sense of balance to ensure this is not just religious satire. A particular favorite poem that captures the essence of the collection is 'A Captain's Wife in Egypt' a blended poem with humor, ode to modern day fused with the past and ending on such a poignant reflective note. This approach shows off the talent of the author and reminds me how connected we can be to different cultures. On this note, I recommend you read and put judgments aside on religious and cultural poetry.Product details
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Rembrandt Bible Atar Hadari 9781909357143 Books Reviews
What does a Jewish man, born in Israel and raised in the United Kingdom, have in common with an American woman raised in The South and The Church? Poetry and God, of course – not necessarily in that order.
To that list, we’d also need to add humor, honesty, and a vested interest in swapping review copies of our new books of Bible-based poems. And so, after reading the poetry of Atar Hadari, I happily discovered that my assessment corresponds to the first review of Rembrandt's Bible as posted by mm.
Rather than repeating here or giving away my longer review on the Poetry Editor & Poetry blog, I'll just add that these insightful poems with their fresh perspective, exquisite metaphors, empathetic insights, and voice for the voiceless made me immediately want to read the book again.
In Rembrandt’s Bible, Atar Hadari presents readers with this challenge How will you appropriate the vital details that constitute your life’s journey?
His answer On your navigations, remember to catalogue, bring back souvenirs. The dominant theme laid into this stirring poetry selection seems to involve casting off, then retracing steps to pocket all we ultimately cannot bear to lose.
The Israeli-born (and U.K.-reared) Hadari gives a nod to various religions in this work, but his sensibilities mostly come across as Jewish and so tied to generations of nomadic survivors. Loss and retrieval, often under adverse conditions, are not unusual threads in Jewish-informed literature, but Hadari finds creative ways to reinvent throughout.
The first two sections of Rembrandt’s Bible summon forth Old Testament figures who find themselves challenged by unforgiving landscapes. In History, “My people a desert people/ mounted on backs and hoof,” (33). In Isaac, “but where do you go to when the sound/ of God is wilderness?”(11) In such environs, the goal is to survive first, reminisce later. Yet Hadari’s tone throughout is hardly bitter. More often than not, the poet offers up his own visceral comedic
style. In Goliath, the main character talks the talk of any small-time Brooklyn hood. Bathsheba conjures up sensuous images, reminiscent of Henry Miller, if only because both writers urge us to grab on, suck hard, before decay sets in, “An orange full of mould/ a plum that’s full of blood/ a pear as mushy as wet mud?” (23)
Early sections of the book animate figures otherwise imprisoned by Old Testament familiarity. Yet the poet never allows us to dismiss these characters as simply Chaucerian-style pilgrims dragged into the 21st century to entertain on a Moth stage. Instead perhaps both Hadari and Rembrandt recruited Biblical leads for much the same reason as timeless guides, who could inform 17th century Dutch, or 21st century global, audiences that people who largely exist out of sight and mind in any affluent Society--the poor, refugees, minorities---should never be underestimated. It seems no coincidence that ‘doves’ are hiding in a host of poem locales.
Muscular verbs throughout the book imply inventorying during migration should be more than a passive pursuit. In the title poem we read, “It doesn’t do me any good you know/Being flung open at another page” And again, “Maybe he’s laughing/ The old man, in between his tears/ Or maybe that is something else/ he’s shedding in between his flung-down dreams.” (73) Repetition and juxtaposition mimic urgent bodily rhythms that comprise various search and retrieval activities “a flung open” surprise or a “flung down” dare; a hunt; then escape, through shedding or snarling.
Yet before the moment is gone, Hadari suggests, humans will typically stop to ponder the emotional, spiritual, or physical takeaways. We are not only hunters who search, but gatherers whose instincts rage to retrieve. ‘Sifting through’ is depicted as a highly intelligent and worthwhile act. Again, the poet references Rembrandt Van Rijn;
When he bumps into another Jew
And shouts “that’s so and so” and wants to check details. (73)
Then speculates on perspectives of another towering intellect, in Maimonides;
God’s in the details, the spin of the stars up close;
I believed God could be found when you held parcels
up to light, some men only wanted the goods. (42)
Through literary tricks of allusion, word choice, symbols, Rembrandt’s Bible offers up a lively reimagining of traditional exodus fare.
Just as often (and to the poet’s credit), the text vaults centuries to explore modern man’s wanderings. In Tabernacles, attitudes of both then and now surrender to ritualized rhythms; “put away the stones and hope another year/ will not find you far away /or cut off from this collapsible home” (72) Tabernacles were portable sanctuaries the ancient Israelites employed during Exodus; by necessity, Jews learned how to literally carry their religion on their backs as well as in their hearts. This good-to-go sensibility is all any Jew still needs to make yearly Passover meals hum with music, matzo, God’s attentiveness.
Pushing further, the poet suggests contemporary readers of any spiritual bent can mine Tabernacles for relevance. In a virtual world where most everything is co-opted, the idea of a collapsible home etched first in one’s heart, mind, and so inviolate to external disruptions, is most desirable.
Hadari displays a deft talent for persuasion in Rembrandt’s Bible. So many of his poems urge us to refashion boundaries and constraints then bravely set forth on our own life journeys. We may never find all we need on these searches. However, by resolving to seek out crumbs on trails before the birds swoop in, we can move forward confidently to feed our souls.
by M. Merens this review first commissioned for Edition Bibliotekos' book review website, with free copy of product offered by website editor for review
What fascinates me about this collection is that you intentionally may be judgmental about what to aspect. Religious poetry and specific references to Judaism would potentially make this collection typecast for a very selective audience. Some basic understanding of religion helps to have a deeper meaning of the subjects and references made by the author. However what comes to light is the use of language and structured flow of the poems, which is universal for any reader to appreciate. There is a blend of strong narrative story telling that resembles parables, which is sometimes humorously entwined with a modern day background. Almost reminiscent of your favorite history teacher who makes an unwanted subject sound interesting. The sporadic selection of more deeper and sorrowful poems, help to bring a sense of balance to ensure this is not just religious satire. A particular favorite poem that captures the essence of the collection is 'A Captain's Wife in Egypt' a blended poem with humor, ode to modern day fused with the past and ending on such a poignant reflective note. This approach shows off the talent of the author and reminds me how connected we can be to different cultures. On this note, I recommend you read and put judgments aside on religious and cultural poetry.
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